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Synthesizers
cross-posted from: https://lemmy.world/post/19273233 >cross-posted from: https://lemmy.world/post/19273232 > >Just finished my first completely improvised live set. > > 2 hours and 19 minutes of various chill vibes. > > > > I have been dreaming of a setup where i could just flow live and go where the music takes me and with my newly completed Korg Volca Suitcase, i have something that can help me achieve this. > > > > Thank you to all of you who popped in during the live session!
This one started out in my backyard, deciding I wanted to try to sample my ukulele on the EP133. It then sorta just grew into this summer track. Setup: EP133: Ukulele sample, drums and a few other samples. Micromonsta 2: Leads, custom patches by me. Exquis: Midi controller in MPE mode controlling the MM2. MM2 goes into the input on the EP133. Recorded directly into OBS on a Motu M2 interface. Postproduction: Slight EQ adjustments in Davinci Resolve before render.
This one starting out with me trying to get some retro/chiptune sounds out of the MicroMonsta 2. Then i though "hey, i bet some crunchy 8-bit drums would work great on the EP133.. then one thing led to another.. and suddenly there was a Jam :D Micromonsta 2: Lead and performed bass. Bitimbral set to split, so i can play both parts on the Exquis. (On the last part i set it to stack and play both presets combined) EP133 Drums, Sequenced Basslines + chip style arp in B section.
SmplTrek note off timing? Is there a way to set the default note off timing? (What some other sequencers call Gate Length.) Either as a device-wide setting, or for a project, for a track, for a scene or just for a clip. As it is I can only do it note-by-note. All notes are half the length I'd want, and I have to go into them manually and crank up each one separately from 50% to 99%. I would love the sequencer if it weren't for this. I have a workaround which is to import SMF's from any other seqencer (such as abc2midi on Linux or Atom 2 on iPad) and that works fine, using the SmplTrek more as an arranger/player than a sequencer, but since the SmplTrek step sequencer is so nice it'd be great to be able to use it directly instead. (And another workaround is to get good and turn off quantization, that also works.) Don't worry, I'm definitively keeping mine (as a drum machine, looper, and global tracks recorder, and as an audio interface) but I'm just a li'l frustrated with this one issue. I know that I can make notes longer by pressing right arrow or turning the value know; I can make two eight notes followed by a quarter note for example. But those notes will all be "staccato" since they've got a 50% gate length. That's not always what I want especially for a midi or organ type track. Here is an example. One track playing three notes twice, same instrument. Two fourth notes followed by a halfnote (and the halfnote sequenced by using the right arrow while holding the pad). [This is how the track looks](https://ellen.idiomdrottning.org/IMG_3323.jpeg) The first three notes are played staccato (e.g. "Note off timing" 50%, a.k.a. gate length as some other synths call it). The last three notes are played more fully, with note off timing manually set to 99% for each of the three notes. [Here is how the track sounds, first the staccato notes followed by the normal notes](https://ellen.idiomdrottning.org/MD12.m4a). Many other sequencers, to get that staccato sound you'd set grid length to 1/4 but note length to 1/8. But on SmplTrek, it's one setting, called note length, and setting that to 1/4 as I did here results in notes with a shortened, only 50% duration. Messing with the envelope release is no good for MIDI tracks. So far my best workaround is to import SMF files that I've made with some other sequencer app and that's a shame since I'm so much faster and more creative with the SmplTrek's sequencer, but I just don't always want that staccato sound. I don't wanna make a Facebook account just to post in the SmplTrek group on there. 😰 @synths@midwest.social
Best book for learning the ins and outs of MIDI I've ever encountered. Relatively obscure, but an invaluable reference book for anyone wanting to dig into the details of how MIDI works.
This was a really fun setup. I just recently got the Intuitive Instruments Exquis and this is my first real Jam with it. The expressiveness of the Exquis combined with the nice flow working with the Circuit tracks made this setup very fun to work with.
As the title says, I am new to the Yamaha SY77, and I'm making a split voice with piano on the left and sax on the right, and I want the sustain footswitch only to affect the piano. (How) can this be done? It was trivial on the DX7 II-D with a Split-mode Performance, but I can't seem to find a setting on the SY77. Having programmed the DX7 (II) for a long time, and having read the SY77 manual, I had no big trouble finding my way around the 77, but this one baffles me. I would consider it pretty vanilla to be able to sustain piano chords with the left hand and and then play unsustained lead lines with the right. In most respects, real-time-controller-wise, the DX7 II seemed more flexible, even though undoubtedly the SY's synth engine is much more capable. (Also posted to reddit, since the community is still a lot larger, but I'm willing to give lemmy a chance ...)
This time its a more minimalist jam. I recently got the Roland S-1 and T8, so decided to try to make something simple while learning how to use them
faroutmagazine.co.uk
Found a great deal at a used gear shop…actually a new unit open box. Digging the workflow and vibe. Already recorded a few tracks with it!
www.musicradar.com
Looks like an interesting idea. I like the daisy chain option. Analog, portable, and $500. Not bad. Curious what you all think?
Picked up this little guy last week and have already cleared the presets and started making my own. Any tips or fun stories about Microfreaks?
synthanatomy.com
I’ve used this on the Switch and it is pretty neat. It would be pretty awesome if the VR implementation is good enough!
synthanatomy.com
Wonder how this idea will be long term? Losing come cables would be awfully convenient for those who perform or have smaller spaces especially.
Which one? For the sake of theoretical questions …let’s assume you could have any synth…not just what you already own.
synthanatomy.com
Sounds like they are goners. Hope they didn’t have your favorite plug-in or at least you have the installer still!
Oh shiny new FM synths! Who has an original opsix? I hear good things.
www.musicradar.com
Fascinating how this developed! I hadn't even thought about the history of it.
And...I just bought a mk1....
Another Moog knock off! Behringer is bringing in the heat.
Now this is fascinating! Wonder who will use this one a hit album?
So much more floor space! Also thinking about a Jaspers stand…anyone have opinions on them?
www.gearnews.com
This looks intriguing. Wonder what sort of graphics card will be needed to run this when it hits production?
So, I had one delivered yesterday and sounds great, everything works apart from the touch screen. It displays, looks great but it's *completely* dead to touch. I've arranged a return already but I was just wondering if anyone else has had this happen?
More acquisitions. Curious if they will integrate the different systems.
www.musicradar.com
Curious if this is good or bad. What do you think?
Trying to work towards my first album. I have two songs mostly completed and a few in various early phases. I am not much of a drummer so the DrumBrute Impact has been…instrumental in implementing some beats.
www.musicradar.com
I am actually excited about this. MIDI has so much potential and I am curious to delve deeper into the specs to see new possibilities.
I found this extremely useful. Make sure to check out his other tutorials for other synths too! I still have to go through one for the Model D I picked up.
www.musicradar.com
Don't miss out!
My dream synth that re-inspired me to start writing music again.
Behringer DeepMind6. Great for ambient but it seems quite flexible.
This guy does a great job recreating and I do not want to know how much he spent on all of those synths!
www.musicradar.com
Always nice to see into another person's workflow and how long it takes to get the elusive "perfect" sound that is in your head.